GB3 Melbourne, Australia
Recording project featuring Glenn Bennie from Underground Lovers.
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supported by 12 fans who also own “Circlework - Remastered 2020”
Let's just park the argument that many of these songs should have been on albums. They are B-sides. They hint at what is likely to come. They are misfits, not fitting in with the majority. They are fun, when the pressure of completing an album is over. Light and shade combined. Most of all, they are typical Undies. A strong barometer of the sound, the spirit and the groove. A must listen. (BTW, Sue is alright).
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supported by 12 fans who also own “Circlework - Remastered 2020”
The Undies dip into the past and sparkle up remixes which have been idle for far too long. Part A of this collection features reworkings which were ahead of the game. Part B is the now, bringing new interpretations to more recent sounds. A bit of dance, a bit of ambient, a bit of orchestral splash. Everything just flows together, like it always does, even the new stunning track. A triumph for one continuous listen and perfect to come back to, again & again.
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LEAVES ME BLIND
by underground lovers
supported by 10 fans who also own “Circlework - Remastered 2020”
australia's greatest ever band's greatest ever album. brilliant from beginning to end.
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Perfectly wrought synthpop from Finland with big, towering synths and beautifully aching vocals.
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The fourth LP from Italy’s Francesca Morello is full of dark-hued, industrial-edged rock songs, delivered with a sneer.
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System Sound Shock (Arachnidiscs Recordings)
by KING PONG DUB SYSTEM
Menacing, post-apocalyptic dub on the Arachnidiscs label recalls the eerie atmosphere of Mark Stewart & the Mafia.
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supported by 10 fans who also own “Circlework - Remastered 2020”
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